"Campbell is a great foil for Kennedy. Strongest in the relaxed manor and quiet emotional truth...in the precise molding of lyrics. This couples combines Broadway experience translates into bang-up, class A entertainment."
Roy C. Dicks - The News And Observer
"From the bravura opening number to their charming encore, Campbell and Kennedy have personality plus and know how to project it."
Robert W. Mc Dowell - The Classical Voice.com
"Alan Campbell is appealingly boyish with a shock of blond hair and a suggestion of dimples to indicate that he has not completely relinquished his innocence. He is a strong stage presence and her tears into the title song as if it were an indictment of movieland."
David Richards - The New York Times
"...with big voiced Alan Campbell, who wants lights and scenery to get in the way of the performances."
Lloyd Rose - The Washington Post
"Alan Campbell is a big, forceful singer..."
Vincent Canby - The New York Times
"Alan Campbell sings very well and performs with commitment and conviction. He carries the show's largest role and partners Glenn Close beautifully."
Ken Mandlebaum - Theater Week
"Alan Campbell of Sunset Boulevard is a sensational actor/singer who goes up against Glenn Close every night, and holds his own."
Liz Smith - The New York Post
"Alan Campbell is a charismatic golden boy with a voice to match."
Lawrence Sherer - The Wall Street Journal
"Alan Campbell is terrific..."
Dennis Harvey - Variety
"Alan Campbell is effective and touching..."
Celia R. Baker - The Salt Lake Tribune
"Campbell is a subtle actor who makes us look where he's looking, rather than at him."
Judith Newmark - The St. Louis Post-Dispatch
"Alan Campbell is even more desperate, charming and covincing than Boyd Gaines was."
Clive Barnes - The New York Post
"Alan Campbell's well sung Mitch couldn't be more virile-cum-vulnerable; ..."
John Simon - Bloomberg.com
"Mr. Campbell delivers Mitch's world-weary machismo with tongue in chisled cheek."
Charles Isherwood - New York Times
"Alan Campbell makes John an easygoing yet clueless character ... and makes John's fall all the more pitiable for his lack of understanding."
Roy C. Dicks - Raleigh News & Observer
"Campbell navigates the challenging dance of Mamet's language with considerable ease, careful to let the dialogue stand on it's own. His descent is compelling.....a disturbing picture of a man caught in a trap, of his own making."
T.D Mobley-Martinez-Naples Daily News
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